![]() ![]() Which could be good or bad depending on the context. If your original sample already has pitch shifting, then adding more might create some weird artifacts. Lastly, consider the effects that might already be baked into the sample. You might want to add these to a send track to keep things cleaner – this was just a quick job.Īs you can here, this is a more conservative approach to vocal processing, but it suits the trance context I’m going for.įor example, if you’re making future bass, you might play around with distortion, chorus, and pitching more than me. In this case, I’ve added is a bit of reverb & delay as well as filtering at around 200Hz: Layering octaves to give your vocals power and fullness.Pitch shifting and time-stretching to create out-of-this-world sounds.EQ to mangle the frequencies in your sample.Distortion to add grit and dirt to your clean samples.Delay to create nice long tails, blending into the mix.To start, try playing around with the following effect types: Pitched up sample chops free#So feel free to spend a bit of time here to figure out what you like. The best part is, the way you process vocals can become integral to your sound as a producer. There are so many different types of effects you can add to vocals to spice them up. Recommended: The Ultimate Guide To Remixing Step #4 – Adding Effects To Your Vocal Chops This is starting to really take shape, so let’s polish it off with some effects processing. ![]() Feel free to experiment with different velocities and note placements depending on your genre and context. This really spices it up a little and makes it sound more ‘trance’ like. I deleted all other markers after marker #4 to clean things up, here’s how it looks: Then I move the new marker #4 over to the next grid-line.Ĥ vocal chops seems like enough, and I’ll have to leave it there otherwise I’ll spend days writing this post! I delete marker #4 & #5 as I don’t like the sound of them.I move marker #3 over just a tiny bit as it was in between the middle of two different words/pitches and sounded a little weird.Marker #2 is also really nice, and I leave it where it is.Now marker #1 has moved over to the next slice, I like where this is and think it’s perfect, so I leave it.I’m not a fan of the chop at marker #1, and after moving it around the section a little I find that it doesn’t appeal to me, so I delete marker #1.You’ll notice now that all the markers have been renamed, so marker #1 is now in a different place. I right click on the two markers and delete them. While this kind of sound can work absolutely fine, it’s not what I’m after. Marker #1 & #2 I don’t want because they’re just breath samples. Pitched up sample chops trial#Note that this takes a lot of trial and error and it’s completely done by ear. I’m going to delete the parts I don’t like and move some markers around until I have some nice vocal chops. Let’s start selecting our chops, starting with FL Studio. Straight away we’ve got some vocal chops created that can be played with our keyboard or organized in the piano roll. Note: If you get a dialog box that reads “ This clip is not used anywhere else…” click yes and continue. ![]() It will then ask you to save it somewhere, by default, it will save in the same place as your acapella. Pitched up sample chops how to#Here’s how to do that in both FL Studio and Ableton Live: FL Studio: Make UniqueĬlick on the top-left drop-down list inside the audio clip, and underneath Sampleclick Make Unique as Sample. We want to ‘bounce’ or ‘consolidate’ our sample so we can easily open it with our tool of choice. ![]() The next thing we’ll want to do is get rid of the surrounding audio from the acapella (we don’t need it for our vocal chops and it’s good to keep things organized). This opens up a lot of room for creativity and also provides a unique sound (as opposed to a dry vocal sample). Second, I admire the vocal effect that’s been placed on top. There’s enough to cut from just this section. Why did I choose this particular section?įirst of all, I like the differentiation in pitch and timbre during the first phrase. ![]()
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